21st of July, 1892 - Ballet Rehearsal
Their fleeting encounter left Sophia… perplexed. On one hand, thoughts about Mister Dempsey didn’t reside at the front of her consciousness often, and she felt more or less unbothered by the idea that it may have been both their first and last meeting. It wasn’t as though he seemed too pleased with her by the end. Could she blame him? No one liked being strung along.On the other hand… In the weeks that followed, Soph found that he did reside in her head, lingering somewhere between the tailend of seductive dreams and brunette strangers who smiled at her on the street. At the cusp of consciousness, Sophia began to realize something important happened, something she shouldn’t let dance away so easily. Perhaps the move back to Britain was the right choice. The only choice to really move on with her life.
When the bouquet arrived, Sophia knew who it was before opening the card. Who else might send roses after a performance of little consequence, near the end of the show’s season? Not to mention she’d seen him - in the dimmed light of the third act, granting his undivided attention for her principal solo. Soph would be lying if his look didn’t cause her heart to skip a beat. It renewed her spirit, giving her a final rush to deliver her most pristine performance yet.
The witch quietly laughed at his note, pausing over the signature. “Ozymandias?” Goodness, he wasn’t kidding about poet parents. The name suits him like none other.
With this, Sophia gave herself some leeway for thoughts about Mister Dempsey to loiter. She found herself keeping a mental list to cross off her requirements. They had no family contacts. They have never run into each other, and likely never will. At the end, it came down to if a window of opportunity might present itself… Which it did, swiftly and serendipitously, in the form of a card she was asked to sign. Sophia’s little flight of fantasy was sealed in that envelope, and her will was out in the world. No taking it back now.
❦
The theater had a distinctly bohemian air to it during recitals, with none of the polish of full performances. It lay brightly lit and nearly empty, save for a handful of audience members with a variety of excuses to linger: family or partners of those on stage, stagehands arguing about a type of knot at the far end of the theater, a single pianist rather than a full orchestra. An assortment of smartly-dressed men sat scattered in the empty instrumental seats in the pit, directors smoking pipes while exchanging notes in a mix of Russian, French, and English.
They had just finished warm-ups when Sophia saw the company owner move from the corner of her eye. He beelined to a special guest to shake hands and make smalltalk, causing Sophia to spin away with her back to the audience to hide a smile. So, Mister Dempsey elected to make an appearance. No doubt Seamus would insist he sit in the center front row.
A few minutes later, an older gentleman climbed up to the far right wing of the stage, brandishing a massive playbook. The répétiteur hollered at the stagehands in a thick Austrian accent, silence please!, which cued the dancers to arrange themselves on stage whilst the light dimmed. Even the directors stopped their idle talk, settling deeper into their seats. The pianist cracked his knuckles, and so began the second full run-through of their next production, The Nutcracker.
The rehearsal took a little over an hour, and played out more like a game of sport than the posh ballet it would become. Even with a minimal audience, the theater grew electric with everyone’s shouts and claps of encouragement with each upcoming feat, even from the dancers themselves. The room fell breathless during Sophia’s piqué manege, and erupted into applause with her exalted finish. “She makes it seem effortless,” one of the directors whispered to another, and indeed, only the rapid rise and fall of her chest indicated otherwise.
The performance concluded some time later. After short-lived applause, everyone seemingly scattered into action with their next destinations in mind. The dancers moved offstage in batches, some approaching the répétiteur downstage for notes, while the director climbed on stage to join him. The conductor moved to his pianist, still others headed for the wings to discuss matters with the stagehands. Soph made a swift dispatch, for she had a destination in mind, too.
“I hope seeing our work in progress was not too boring for you, Mister Dempsey-”-Ozymandias, she said in her head. The ballerina made no pretense of greeting when she emerged from the set of stairs coming from backstage right, allowing instead her smile to convey her pleasure to see him. “It’s quite different without the costumes, set, or enchantments, isn’t it?”
music inspo | wearing this
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thank you gin for the set<3
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