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Welcome to Charming, the year is now 1895. It’s time to join us and immerse yourself in scandal and drama interlaced with magic both light and dark.

Where will you fall?

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Did you know? Jewelry of jet was the haute jewelry of the Victorian era. — Fallin
What she got was the opposite of what she wanted, also known as the subtitle to her marriage.
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The ides of august
#1
August 13th, 1894 — Paris

Samuel stood at a mirror hung between two windows of this beautiful house in Paris as night fell, the second night since his arrival in the city. The edge of an open razor glided around the contours of his jaw in a practiced motion.
His reflection was tall and rather dark. His face was unlike a regular face, one that one would see many times on the streets. And the house, it did not belong to him. It was his friend Etienne's, who had already taken off to Beauxbatons to prepare for the new term.
Etienne belonged to a very old family and carried a name that he always said would die with him. He was a good man; Samuel was fond of him. But he was not sorry to be without him on the occasion of this visit.
This visit marked, in a way, the point of many things ending. His laboratory in London was disbanded and his new quarters in Hogwarts ready for his tenure there. A chapter of Samuel's life was closing and in two weeks, a new one would open.
Maybe it was this circumstance that made him feel like something else — new and of a familiar nature at the same time — would transpire in this limbo in between.

Samuel dried his face with a towel and gave a spin to one of his metal placards that lay on a table. It showed his location to his clients if he wished so, although presently it would display this address to exactly one person and remain blank for the rest.
He got dressed. One thing was certain: he would go out tonight; he would dance. He knew just the place for it.
Uncertain was, at this point, if Miss Blackwood would join him, or if he would find a companion out there. He took a look out at the dark street and decided to give it half an hour before he would depart.



#2
The rich, velvety notes of the soprano floated through the air of the grand opera house, but Vera's attention was only loosely tethered to the performance. Her grandmother, the venerable matriarch that she was, had succumbed to the lull of the music and the warmth of the box, her delicate snores almost in time with the orchestra. Vera had absented herself from the box to mix with the rest of the crowd.

The audience, the crème de la crème of society, appeared more interested in each other than the art being performed. Conversations buzzed in hushed tones, fans fluttered, and glances were exchanged. It was an environment Vera knew well, one where the true currency was influence and charm, not Galleons - but those didn't hurt either.

As she scanned the sea of faces, something—or rather, someone—caught her eye. A man, standing apart from the crowd in the corridor adjacent to the boxes, his tall figure silhouetted against the soft glow of the chandeliers. His posture was relaxed yet alert, as if he were part of the scene but not entirely of it.

It was Mr Griffith. He was dressed immaculately, his hair perfectly in place, his expression one of calm detachment. She made her way toward the corridor, weaving through the crowd with practiced ease, her green gown swishing softly around her. "Mr Griffth," she greeted him softly as she neared, her voice carrying just enough surprise to be polite. "I didn’t expect to see you here."


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#3
He registered, standing in the corridor, the movement towards him and turned slightly; Samuel watched Ginevra Blackwood approach through the crowd and smiled at the half-truth of her words. The lights of the opera house gathered in her hair and then in the many facets of her emerald-colored gown and on the jewelry; he saw also, almost opening up on the ground at their feet, the class divide between them.
“Why not?” he asked, ignoring how he ought to act infront of her. From the flippancy and familiarity of that response, he then slipped into his manners as if donning a coat that he had improperly been caught without. He gently took her hand and inclined towards a slight bow.
“Miss Blackwood, delighted that our paths should cross again.”
There was an air of easy amusement about him now, as he let go of her hand, straightened himself up, and looked her up and down, taking note of the absence of family members and chaperones in her vicinity.
The jewel of the mighty Blackwoods was either quite adept at the art of escape, or the keepers of her were doing a poor job. Presently, he thought it to be the former, or perhaps it was both.
“And to meet in a much more pleasant place,” he added.

The voice of the soprano was climbing to new heights in the background of their conversation. All around them was the colorful bustle of Paris society, its many sharp and inquisitive eyes that did not linger on them, because to this city they were strangers.
“Did you return to Paris to continue the explorations you were telling me about before we regrettably got interrupted?”

#4
His greeting, a mix of charm and flippancy, drew a soft, amused laugh from her lips. "Perhaps I did," she replied, her voice carrying a lightness that matched the sparkle in her eyes. "Though this time, I may be exploring less of the city and more of the company it offers." She paused, a playful tilt to her head as she took in the scene around them. The hum of the opera, the swell of the orchestra, and the vibrant swirl of Parisian society framed their meeting like something from a book - a book one didn't discuss in polite society but a book none the less.

The formality with which he’d then formally greeted her, bowing and all, amused her, especially in contrast to their more frank exchange last time. She appreciated the shift, though—a sign that beneath his nonchalant exterior, Samuel Griffith respected or at least knew the game that society expected them to play.

"But I must confess, Monsieur Griffith," she continued, leaning in ever so slightly, lowering her voice to match the conspiratorial tone they’d once shared. "I did not expect to find you at an opera. You seem more like the sort to avoid such... orchestrated affairs." Her eyes gleamed with mischief, daring him to reveal whether he was there by choice or necessity.

As she spoke, Vera couldn’t help but let her gaze linger on him, studying his features more closely. His presence here, in Paris, felt different—less restrained, more natural. She wondered, fleetingly, if this was closer to who he truly was. The soprano's voice reached a soaring note in the background. "Are you here to indulge in Parisian delights or simply to escape the solitude of your laboratory once more?"


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#5
"My laboratory is no more," he answered. "It seems I am remiss of occupation and direction, at least for a short while — so I find myself untethered. And I have come here because Paris lends itself to that state of being much better than home." He looked at her as she leaned in and smiled slightly and added, "I intend to become distracted. Even if that requires a visit to the opera." Now it was as if they entered back into the space they had left off at the soirée—and as if this evening was meant to play out exactly as the other did, a man stepped out of one of the boxes and put a hand on Samuel Griffith's shoulder. Just his grip was light and he was not Mr. Travers; it was Samuel's friend Yves. He was a chameleon-like sort who seemed always at home where he was and also slightly out of place. His manner of dressing said old wealth; his face suggested a poet; his sly eyes said he might be none of that at all.
"I was just about to say that I came to the opera tonight to meet you, Yves," said Samuel to Yves. "And to accost you for your opinion on where to go thereafter."
Yves inclined his head towards Miss Blackwood and said: "Delighted to be in your company, madmoiselle." After her name he inquired not, nor did he supply his own, at least not his full name. His gloved hand gestured towards one of the high windows, through which the moon could be seen. It shone above, full and bright. "As it happens, we are in the ides of August. The zenith of summer is passing us by. We cannot help but recall what is to come. To honor this wistful occasion, we should all head tonight to the residence of Monsieur Jacques in Montparnasse." He smiled at them. "I'll see you later. Ah, it will be a masquerade. Comme il faut," and then he bowed out and left them.

On the stage, the opera was reaching a crescendo; something grave was happening — perhaps a calamity, a fall from grace, perhaps the death of innocence. Samuel had not paid much attention. He looked at Miss Blackwood and said, "Now, I know where I will find the sort of dance I was looking for since we last met at that dreadful soirée. Will you join me? That is," allowing the conspiratorial manner they seemed to share to return, "if you can arrange for yourself to be sufficiently free."

#6
Vera's lips curled into a smile at Samuel’s invitation. A masquerade in Montparnasse—how thrilling, how utterly tempting. Yet even as the thought danced enticingly in her mind, reality quickly dampened her excitement.

"I’ll certainly try," she replied, her voice laced with amusement, though she knew full well the challenge she faced. "But as you see, I am here with family." She cast a glance over her shoulder in the direction of their box, where her grandmother still dozed, oblivious to the world around her. The matronly figure slumped in her seat was a far cry from the laissez-faire approach her parents had taken when it came to her wanderings in London.

Her brother, had always given her more leeway than was proper for a young woman of her rank - mostly so she never looked too closely at his own Rakish behaviour, and her parents—ever indulgent—had never imagined her capable of half the things she got up to. But her grandmother, sharp as ever despite her age, would be far harder to slip away from unnoticed. Paris, for all its allure, came with stricter oversight in that regard - even if the society didn't know her as well.

Still, the idea of a masquerade was irresistible. "I shall do my best to free myself," she promised, meeting his gaze with a flash of determination. "But should I fail in that endeavor, you must promise me you’ll tell me all about this Montparnasse soirée next time we meet. In detail."

Her eyes gleamed with intrigue as the opera’s crescendo filled the space around them, the drama on stage playing out like the unspoken tension between them. For a moment, she let herself indulge in the fantasy of slipping away unnoticed, disappearing into the night, and joining him at the masquerade. It was an alluring thought—but one she knew might remain just that.


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#7
Samuel smiled. She had things that kept her, and he of course knew that his invitation was improper. But her eyes told him that Miss Blackwood appreciated this indiscretion of his nonetheless. And if he was honest, encouraging her to defy the constraints of her social position was a little game he enjoyed. He did not have much sympathy for the pureblood upper crust of wizarding society. It was the men he most often had to deal with due to his profession; but the women, too, were often rather self-satisfied, pacified creatures, in his estimation. He liked about Ginevra Blackwood that she was not, at least not yet. Of the many things that were charming about her, he appreciated her clear-eyed drive to have her own opinions and make independent choices the most. So it was with empathy that he said: "I understand there are considerations you have to mind that differ much from the constraints of my own life. And I do not expect you to make a decision that is not in your interest. I do hope you appreciate the sentiment of this invitation, one way or the other."

On stage, the last aria was drawing towards its end. In a few moments, the orchestra would play the final grave notes of the opera and applause would drown out their conversation.

"If we meet again, I shall tell you everything you desire to know," he promised her, knowing at the same time that it was unlikely for their paths to cross anytime soon; she would likely marry a man much richer and purer than a Griffith and therefore move in different social spheres and he would begin his tenure at Hogwarts. Thus, he would be bound to the castle and lack the opportunity to go to Paris or soirées as he pleased. That was exactly the point—by mooring himself to his new profession, he endeavored to put an end to his variousness, to the affairs and dalliances, to running away to a country where he was a stranger, so he might not bear the consequences of his own freedom, that he had defended so embittered in his youth. He had enjoyed it, had given himself over to it, and it had taken from him in ways unanticipated. So these nights might be the last liberty he would take for quite a while.

Applause erupted throughout the opera. He bid her goodbye silently, as she could not hear him over the noise anyway.

Samuel wondered if their flirtation had just drawn to a close. Then he was off to Montparnasse.

#8
As the applause rose to a crescendo, Vera found herself watching Samuel more than the final moments of the opera. His words lingered. He had offered her a glimpse into a world she only half-knew, a world she shouldn't know at all. Free from the rigid expectations and suffocating propriety.

Vera smiled, the edges of her lips tinged with both amusement and melancholy. There was something undeniably thrilling in his invitation, in the flirtation that sanglike the delicate notes of the opera’s final aria. It was improper, yes, but that was part of what made it so tempting. And Samuel... he saw through the gilded cage that was her life, saw her not as a pacified creature, as he so clearly disdained in others of her class, but as someone capable of making her own choices, even if she couldn't always act on them.

For a fleeting moment, she wished she could abandon it all—slip away from her sleeping grandmother, don a mask, and disappear into the night to Montparnasse. But alas. Paris might offer a taste of freedom, but her family, her responsibilities, her entire life were the shackles she could never fully escape. The indulgence of her parents and brother had allowed her to skirt the edges of rebellion, but this was different. Her grandmother was no fool, and if Vera were caught slipping away tonight, the consequences would ripple far beyond this moment.

Still, she let herself imagine it—the masquerade, the music, the chance to be someone else for a few hours. But, she knew, it would remain only a fantasy. "Thank you," she said softly, her voice barely audible beneath the applause, though her words were more for herself than for him. "I do appreciate it." Her eyes lingered on him, knowing that this moment, this flirtation, had likely reached its end.

She didn’t wave or call after him as he turned to leave for Montparnasse. Instead, she stood for a moment, watching him disappear into the crowd. As the applause died down and the crowd began to stir, Vera made her way back to her grandmother’s box, where the older woman stirred awake, none the wiser to her granddaughter’s brief escape. And as she resumed her seat beside her, Vera allowed herself one last indulgence—to wonder what might have been, had she accepted Samuel’s invitation.

But some fantasies, she knew, were best left unrealized.


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