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Did you know? Jewelry of jet was the haute jewelry of the Victorian era. — Fallin
What she got was the opposite of what she wanted, also known as the subtitle to her marriage.
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designed myself for your bad intentions
#1
16 December, 1894 — Samuel's Lab, Whitechapel
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When he left the Orchid there was a slush of dirty half-melted snow lingering in all the seams of the street but he was already past the point of feeling the cold. He felt feverish if anything. There was a tingling itch from the base of his spine all the way up to the roots of his hair. He looked pale but felt flushed. He walked with his coat unbuttoned and gave no thought to where he was going, because for now it was good enough to be putting space between him and the Orchid while he replayed everything that had happened there in his head.

It had been impossible to think in that moment with Griffith's hands pulling his hips towards him, impossible to access anything except the panic that flooded the top of his mind. From the detached position of his high those seconds seemed like a dark pit; he felt sure there were other thoughts or feelings or reactions he'd had in the moment but he couldn't pierce through enough to see them clearly. Perhaps he never would. The rest of the evening's interaction floated through his mind in disjointed pieces, taking on more or less significance as his moods changed and twisted.

(He was feeling a lot, at the moment. A lot, very suddenly, and very briefly. The mood swings might have been a side effect of the opium. Griffith had warned him about mixing his poisons. Don Juan never took warnings to heart until it was too late).

He had found the edge of the Thames. He watched the water flow as he walked along it and wondered whether it was cold enough that he would die of hypothermia before he drowned, were he to throw himself in. Drowning was supposed to be a terrible way to die.

You'll have to tell me to leave, Griffith had said, and in the end Don Juan had. When Griffith had first said it Don Juan had thought he'd never muster up the willpower. He wondered whether Griffith agreed with that sentiment. Had he been surprised when Don Juan said stop? Was he capable of being surprised by anything Don Juan did at this point, after he'd been inside his mind, after they'd gone to bed together? The two weren't related but in this case Don Juan almost felt the sex gave Griffith more of a right to judge his actions than anything he'd seen via legilimency, because he had known and felt the empty pit in Don Juan's soul that had invited the sex, the fundamental problem with himself that he had been desperately trying to fix. Griffith perhaps knew him better than anyone by now — and this had been the outcome of that knowledge, tonight at the Orchid. This was how someone who truly understood him thought he deserved to be treated. Or thought he wanted to be treated — he had said something like that, too. Something else to be ashamed of. You can pretend you don't enjoy it.

He turned away from the river and down a street rife with dark alleyways. He hadn't brought anything nice with him tonight, no fancy accessories or golden pocket watches, so he probably didn't make a very appealing target for a mugging. More's the pity. It wouldn't have hurt to be hit right now, he didn't think, and after the past week it would have been almost a relief to have such a cut and dry picture of morality to place himself in. Just a victim of a crime, and nothing more complex than that.

Griffith had asked if Hudson was waiting for him, then on hearing Don Juan's no he'd returned I was waiting. The parallel had been lost on him at the time as he'd been too focused on the drug Griffith had just produced, but it had certainly been intentional. That was a dizzying statement. Don Juan could make nothing of it, but it left him buzzing between the ears.

He was in Whitechapel. For all that he'd started wandering thoughtlessly, this seemed an inevitable destination. Don Juan had never approached the shuttered laboratory from the street but he knew the address well enough, having told it so often to the floo. It wasn't difficult to find. The windows were dark, at least to a casual glance, and the front door was locked. He opened it with a spell, heedless of any street traffic that might have been around to notice, and slipped inside.

He went through the place until he came across Griffith, then stopped where he was while the pair of them held a long, silent look. There was a question in the air that Don Juan wasn't sure he could answer in words. The question was why he was here — the answer was slippery but might have been something like: because there's nowhere else to be.

After a long moment, what he eventually said wasn't an answer at all but another question: "Do you want me to leave?"
Samuel Griffith


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   Samuel Griffith

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#2
CW!
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Samuel lay on his back on the rug in the study. The fireplace was ablaze and it burned too high. Heat washed over his body and nonetheless he shivered in irregular increments. He had taken off his jacket and his shoes and his waistcoat. His shirt was unbuttoned halfway from bottom to the top and then he had given up. The tiny vial danced on the silver string. He held it up in the air above his face and watched it spin. The flames reflected in the silvery liquid. It was beautiful. It was the only reliable thing left in his repertoire. Even in handling power and pressure, the real work of his life, he had failed. Whenever one pushed another person, it was unavoidable to also push oneself, to exert the energy that manifested the impact that ushered in the consequence. Tonight he almost pushed himself over a ledge he had not even taken a second to see approach. His actions towards Don Juan in the Orchid were designed to reestablish the boundaries of himself. Don Juan injured a visceral sense of Samuel's integrity with his attempt to leave — from his point of perception, it was like attempting to hack off his arm and expecting him to be at peace with that. After all, Samuel's life was crumbling around him. He teetered on the edge of losing touch with reality now, it seemed, persistently. The vial slowed in the air and he moved the string to propel it back into motion. His faith in having a future with Themis was weakening. If Don Juan took himself out of the equation, he took away the structure that contained the use of the substance; he took away the door to Samuel's past he appeared to carry.

Well, Don Juan might very well be gone now. That ought to have done it. He would not go and look for him, he could not. He felt monstrous enough as it was. With the common hubris of men, Samuel never thought it possible for himself to commit the crime of rape. It had not even crossed his mind. There was violence in him, as he supposed it to be a potential in all people. Violence was related to power. Sex could be about power, and as such it towered in his inner landscape, which had a relationship to power like the earth to the sun. But his sexuality was first and foremost responsive. It came to life when he sensed that someone wanted him. The intimacy he enjoyed most had to do with love and it was fluid and powerfully bonding. He did not have the libido that drove some men to opportunistically fuck everything and everyone they could get a hold of — that kind of character he had always presumed to be the root of this kind of behavior, like faulty wiring. It seemed he was wrong about that. He could and was capable. He almost had done it. Almost. He shifted on the rug and tried to get a sense of his body. His body breathed and pulsed and lived on most unimpressedly. The offending body part was back to its dormant state, as if nothing ever happened. But he felt changed. He felt off. It was hard to feel where he ended and where the air and the carpet and the room began. It felt like everything could get into him and take up residence. The vial spun out and slowed. With a vacant expression in his eyes, Samuel took it and uncorked it.

There was a noise in the house. The front door unlocked. He froze and his heartbeat accelerated. Don Juan entered the study and Samuel lifted his head from the floor and they looked at each other. There was silence and eventually a question. "No. You are welcome to stay," he answered. He could think of a reason why Don Juan had come back. He held it in his hand. Samuel did not know how to feel about that. In a way, he was genuinely surprised to see Don Juan. Samuel laid his head back on the rug and turned his face in Don Juan's direction, observing him silently. "Are you frightened of me? I don't plan to violate you any further. That was not the design I had on you when I went out to find you tonight," he said eventually.


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   Themis Lyra
#3
That wasn't what Griffith had planned. Don Juan had thought not, as he'd been wandering through London. There had been so many opportunities for Griffith to take advantage of him, if that had been his endgame. The Orchid wasn't a logical venue to have chosen if that was what he'd been intending, and Don Juan had offered to follow him back to somewhere more private only a few moments before. Griffith hadn't planned this tonight and he hadn't planned to fuck him the last time either, and that was where the shame surfaced. Two days ago had been Don Juan's fault — let's not forget, you asked me to fuck you. Who's fault had tonight been? Could the fault lie solely with Griffith if he hadn't planned for this to happen?

The question Griffith had asked was still lingering in the air between them. It seemed impossible for anyone to be frightened of this man in his current state, sprawled on the floor laconically and entirely disheveled. He didn't look capable of putting himself to bed, much less of causing any harm. It was difficult to reconcile him with the man who had towered over Don Juan in the Orchid and forced his cock down Don Juan's throat. But he had intended to be terrifying before, Don Juan was still convinced of that. He could not have been entirely senseless of the way he was carrying himself or the things he was doing. He might not have thought things were heading that direction when he'd started the night, but at least in the moment he had certainly intended to frighten, and he had.

"Sometimes you're frightening," Don Juan said. He didn't move but his tone conveyed the same feeling as an apathetic shrug. He leaned against the door frame. The room seemed to stretch forever in front of him, with Griffith's form on the rug a distant island on the horizon. Sometimes he felt there was nothing inside his body at all, that he was an empty cavern, and at the moment that space seemed to stretch out forever both inside himself and out.

"I made you angry," he said, and this carried the faintest hint of a question. It wasn't a question of whether it was true; he knew he'd made Griffith angry at the Orchid, and before when he'd failed to come back here. The question was whether that was the explanation for everything else that had happened tonight. Was his anger the motivation for his actions in the sordid booth? Had he been too high to realize? Or was it something else?


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   Themis Lyra

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#4
People told him he was frightening. He knew and he used it and it also made him lonely. "I know," he just said. They looked at each other. He did not move towards Don Juan. He was uncertain. It was a feeling he seldom held towards him. His feelings around him usually were wont to pitch into the highs of obsession and the lows of hate and contempt, but now he was not so sure anymore where he was at.
He was unprepared for him to be back. With the energy that drove him in the Orchid all but dissipated, he was lost on where to go. So he stayed sprawled on the rug. Perhaps he would like them to be less far from each other.

"I was angry. You left, but only to be found. Then I find you and you still take the opium, to show me you don't need me. Yet you do need me to fill this void in you, but you hate me for knowing you. You push and pull on me—you did that tonight, plenty. I feel like you have me on a string. I hate that."
The vial turned very slowly around itself and he focused his eyes on it. It was easier than making out Don Juan's face in the far dark. "I have you on a string too, because I have this," he spun the vial again. He thought that it was unfair that Don Juan needed no substance to make Samuel dependent on him. "I fill you with my poison. I fill you, physically, by fucking you. You die in my arms and I bring you back. I penetrate even your mind," he laughed because it was absurd. "I am just a man. What does it do to me, when all is said and done and you are gone? You don't even attribute to me the ability to care." That ticked him off most. "You don't care about how I feel." After Don Juan said that, Samuel set his heart upon hurting him. "Yes, I wanted to hurt and humiliate you. I was punishing you for the fact that I care enough to run after you. Instead of being glad that you're gone. As I should be. But I was not. So I relegated you back to a place beneath me. And then I pushed it too far," he said bluntly. The words spilled from a place in him that was hooked up to his throat but not to his mind. He did not know his words before he said them.
Did that make them more or less true? "I thought you would be gone for good after what I did. I am relieved you are here now. Isn't that pathetic?" He finally lowered his arm with the vial and got out his watch instead, but he could not decipher the face of the watch. With a sigh, he put it away. He wanted to take more. He needed something to feel that he had a form and a body and life in that body. Right now he might be actively dissolving into the carpet; he could not tell the difference.


#5
Griffith had a lot to say. As he listened Don Juan's thoughts ricocheted between the words and the current of his own emotions, made stronger and more turbulent by the high. His first reaction was to claim Griffith was giving him far too much credit — he never intended any of it, because he never intended anything. Griffith had said something similar before, about not knowing himself well enough. It was an easy excuse, but not a correct one. He had realized tonight in the Orchid that Griffith felt just as much shame about the last night together as he had, and that was the moment in which he'd decided to goad Griffith into holding his pipe for him. Don Juan hadn't wanted that, he'd only wanted to force Griffith to sit in the shame of it.

What did it do, when Don Juan was gone? How presumptuous of him to think that would ever happen. Don Juan was never getting out of this loop. Hadn't he made that obvious enough with every feeble attempt at resistance tonight? He'd run but only to somewhere he'd known Griffith would find him. He'd smoked his opium, but still hadn't hesitated when Griffith held up the dropper and told him to open his mouth. He'd said stop but then he'd come here. The only way he could imagine really breaking this cycle was if he died, and Griffith had taken even that avenue of escape off the table. Still — the sentiment Griffith expressed resonated in him. He understood it. He had often thought of Griffith as a godlike figure towering above him, powerful and cruel, but the way the man spoke now reversed the roles. Don Juan as the dark god, terrible in aspect, wreaking chaos on a whim. It wasn't the first time he had been confronted with a similar notion: once in Hudson's living room he had considered how everyone who had ever loved him ended up worse for their trouble. Elfrieda ruined, Adriana dying alone, Hudson putting his own life aside at any opportunity. It wasn't far-fetched to believe he could destroy Griffith too. He felt powerful and wretched at once. Yes, the man looked pathetic stretched on the ground like that, and Don Juan owned that moment. This was his creation, this feeling pouring out of Griffith and filling the room like smog.

He was a lightning rod. His skin was tingling and he was soaking up this sentiment that pooled around his feet. He was going to attract something electrifying soon. He could feel it, the anticipation of it, some overwhelming feeling that would surge through him and carry them both away. The natural opposite of this pathetic naval gazing, whatever that might be. He didn't have to know or understand or think of it; it would find him. This was why he was so hollowed-out, he intuitively understood. This was what the combination of the drugs were doing to him: turning him into a conduit large enough to drive everything around him. Not that the hollowness was new — it was always there, even when he was sober, just usually better concealed than this, the opening hidden away in a back corner so that the unsuspecting wouldn't stumble into it. Griffith had already found it, though, was already familiar with the shape of it.

"You don't fill me," Don Juan said from his position in the doorway. He wasn't trying to start a petty argument or offer a rebuttal; his tone carried the intimation of a warning more than anything else. "I could swallow everything you do and still come back for more." A dark and terrible god, an eldritch abomination lurking in the forest, insatiable. He could consume the man entirely and still feel empty afterwards.

He watched Griffith on the floor. His skin buzzed all over. The anticipation was building in his chest, buoying him. Something was coming.


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   Samuel Griffith, Themis Lyra

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#6
Samuel lifted his head from the carpet, just as he felt the tension in the room shift, and he looked at Don Juan and saw him change before his eyes. He sat up, propping himself onto his elbows. A jolt of electricity jumped into his skin. Swallow up everything, still come back for more.

The sentiment was eerily familiar. But how could Don Juan know? We call upon the Red Grail; who gives life; who takes life; who is not sated. Insatiable hunger and lust and sacrifice, the drowning waters. All aspects were in place. "You devour all. You cannot be sated."

He rolled on his side. "I know this. I walked the path of this principle," he warned him. We did together. I killed you, by letting you devour yourself, setting you up for the ultimate sacrifice, he thought and he meant Kazimir, but Don Juan and him were converging now, in all reality. The room was unbecoming and the other dark room approached. "Try," he said, smiling. "I destroyed you once before."

This was the next iteration of the cycle -- it was not just in his head. He watched Don Juan, delighted and full of anticipation. How would it all come together? He did not know and that exhilarated him.


#7
The physical aspects of the room felt very distant. Don Juan was a mountain top in a clouded valley, and Samuel Griffith was another; everything between them and around them was lost to fog. He felt he could see Griffith very clearly now — not his sallow face and haunted eyes, but the inside parts of him, the things that made him tick. He understood the violence from the Orchid as an act of hubris. An attempt to exert control over something that was too big and too wild to grasp hold of. What a small man he was, under all the bravado. No more in control of himself than he was of Don Juan, who was uncontrollable. At least Don Juan wasn't pretending.

"You destroyed me once before?" he returned, almost goading. "I'm still here." He removed his shoes, stepping on the heels to pry them off so he wouldn't have to bend over or touch the laces. Once he could feel the floor beneath his feet he drifted towards Griffith's position on the rug, slow and deliberate.



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#8
"You are here—again. Returned from the dead, twice," he answered, eyes on Don Juan who for the first time ever did not appear as a pathetic creature in half-hiding, begging for caresses; alluring by its neediness but at the same time inexplicably repelling and poisonous. Perhaps he was witnessing him take ownership of his impact. Perhaps. Samuel's one hand still held the vial, the other supported his weight by his elbow. He observed him step out of his shoes. Samuel had taken his own off earlier. He waited, ready. Ready for what?


#9
Returned from the dead. That was right and he felt a rush of exhilaration at the fact. He was empty enough to hold the world inside him; he wasn't going to catch a lightning bolt when it struck but the entire storm instead. He could destroy the man in front of him as easily as a hurricane blew down a beachfront house. Griffith didn't know who he was right now; he'd said twice and one of those memories belonged to Kazimir. But Kazimir hadn't come back.

Griffith didn't need to know who he was. He'd remember when he was sober, when the shame rose up to chew away at his insides.

Don Juan had reached him. He pressed his foot on the man's shoulder lightly, nudging him to his back again, then stepped over him. Don Juan sat down on his chest, knees braced on the floor on either side of him.

"Give me another half," he demanded. "Then finish what you started."

This was what the void in him was pulling in. He'd soaked up Griffith's lethargy, his paralysis, his guilt, and he had found its opposite: they were going to have some action now, consequences be damned.


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   Samuel Griffith

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#10
Don Juan descended on him with vengeful finality and Samuel watched him in fascination. The demanding pressure of the foot on his shoulder was foreign and he tested it, put in some resistance and found it steadfast. Then he followed the given direction and sunk back to the floor. He felt the rug under his shoulder blades, through his shirt. The woolen fabric of Don Juan's trousers rubbed against the large scar circle on his chest and he winced at the sensation, but the sharpness of it and the weight of the man reinstated the borders of his body. Suddenly, he felt himself and felt his blood rush and felt his heart and the twitch of excitement and arousal in his stomach. He lifted his arm with the vial and uncorked it to measure out the dose and he smiled. He was not afraid. Nothing Don Juan could want to repay him or take from him in violence and sex frightened him. What got Sam in trouble was love, it was the crux of his present predicament, and any real feeling and intimacy was what Don Juan would neither give him nor require. As long as he did not harness that power, that both Kazimir and Themis wrought over him, Samuel's heart would remain safe from being devoured. Don Juan had taken his obligation, his possessiveness and need; he knew his loneliness and shame, he had taken all the worst, all Sam loathed about himself, but had not gotten the best of him, yet.

He gave him the poison, he dropped it into his hungry mouth and then he measured out another half for himself. Samuel swallowed. He knew he was ahead of Don Juan in intoxication, but did not care. He let go of it. He would willingly sacrifice his advantage of control to this, why not? Don Juan did not understand him, he was too shallow to consider him in depth and as such would fail to destroy him. "Then kiss me, like you mean it," he taunted him. He slipped Don Juan's jacket off his shoulders and his suspenders and put his hands on his waist to push him back from his chest onto his stomach and groin, where he could move his hips against him.


#11
The drug dissolved on his tongue. Don Juan felt as though he would never be sober again, that he had climbed to the other side of some precipice and would be changed forever after. He felt he could take and take and take this all night long with no danger of his heart stopping... or if it did it would only be a momentary detour, a pitstop on the journey he was on rather than its end.

Griffith said kiss like he meant it, but he didn't really want that. It would have been easier for him if there was nothing here except the buzz of a drug and a desire for friction, the same kind of anonymous encounter that occurred in opium dens every night. He had said already that he resented Don Juan for having the hold on him that he did; he hated feeling pulled by Don Juan's machinations. He didn't want to be further entangled, not really... but that was what he'd asked for, and if they were truly going to play at reversing the roles Don Juan ought to accommodate his request. Griffith would suffer more for it in the cold light of the morning, and that was the mood that had seized Don Juan: willing to set fire to his own heart if it meant leaving the other man with a burn to remember him by.

He took the man's face in both hands and kissed him, rough and needy. Don Juan wanted him carried away. He wanted him lost to himself. He wanted Griffith to hurt him, and to enjoy it — he wanted him to sit with that when he sobered up and to lose what remained to him in terms of self respect.



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#12
Under the kiss was a grin, a flash of teeth to be victorious or to finally reach the point beyond pretense. The man below on the rug came back alive at the challenge and the other cast off his victimhood. And so they saw eye to eye, finally, and were ready to manifest their mutually assured self-destruction. "You're changed" was what Griffith told Don Juan while he got him out of his attire, a nonsensical wrapping of fashion that was devoid of meaning for where they were going. He felt the other would tonight, and only until the morning broke, bind him to a pursuit designed to debase him; would lure him to go further until he let go of all he thought himself too good for. So it would be. Samuel would deliver retribution in equal measure. He got out of his clothes too. They set off towards the drowning waters.

There were kisses this time, where last time were none. They were hungrier and less afraid. The substance still lingered on their tongues. The first strike Samuel delivered against Don Juan was to subjugate his pleasure. He did not rush to catch up to his plans at the Orchid. They had a little time until it would hit them. There were many pains and indignities to give to Don Juan in preparation. The pain came wrapped in pleasure. The poison was at their heels to multiply every sensation, pitch it up high and drag it low. The fire burned high and then lower and its light shone on the tangled bodies on the floor. His hands were on Don Juan, had been in him, they just stopped stroking him to preempt the tensing in his muscles. The sweat along his neck tasted salty. He could feel the second wave coming on and he put a hand around his neck and pulled his hips in towards him. Don Juan might try, he thought, if they survived this, to go back to fucking people like he used to. This would never leave him and save for the most gentle and tender things, it would taint the act with it's memories. For better or worse, this intensity would be impossible to recreate. When Griffith was gone, he would take it with him.


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   Don Juan Dempsey
#13
Something occurred to him while he kissed Griffith in those first moments. Something between a purposeful plan and a passive vignette, a snapshot of a scene that he could bring to fruition. He remembered the man pulling away at the Orchid after Don Juan had begged him to stop, and he remembered how surprised he had been at it. The way that Don Juan had found him here at the laboratory, wallowing, permeated the memory now. The scene, the vision of the future he could bring about: he could drive the man past the point of reason, past the point of listening. He could plead again and this time Griffith wouldn't stop, because he wouldn't be capable of stopping — but he would remember that tomorrow, remember everything, because that was what this drug did. The memories weren't hazy like they were with other substances. The next morning he would hear Don Juan's words echoing in his skull. He could call him Sam in hopes that that was what Kazimir had called him, and he could make the word Sam feel like stop, and that would haunt him for ages. It could break him forever. It was an intoxicating degree of power to hold over someone.

Don Juan pushed — never enough to push Griffith away, only enough to get him pushing back. What began as conscious thought lapsed into habit as the second dose hit him, and as the things Griffith was doing to him consumed more of his focus. Combined with the opium he'd taken earlier he was riding an altogether new kind of twisted high, and the sensations whether painful or pleasurable only served to heighten it. He lost his sense of time; he felt divorced from the physical world, at least as it extended past the confines of his body and his partner's. At the crest of one wave of feeling he did gasp out "Sam," and it was certainly pleading, but it didn't sound like stop. Don Juan clawed his hands around the other man, digging his fingernails into the ridges of one of his scars. "— Sam."



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