16 September, 1892 — London Ballet House
Oz spent a significant portion of the second act pretending to read his program. His sister said the production was splendid, and he assumed it was, but he had no desire to see for himself. He wouldn't have even come tonight, if he'd had his druthers, but after becoming one of the patrons of the London Ballet he felt it would be remarked upon if he failed to attend on opening night of their latest performance. Usually he was careless about rumors; his family had a reputation for being eccentric, anyway. Where Sophia Voss was concerned, however, he wanted any potential stories to die quickly and painlessly. Some damage had been done already, given that the company had seen him touring the theater with her that summer and then a number of them had seen the state he'd been in when he left. There was no need to give them any more reason to talk.
His patronage extended through the end of the season, so Oz intended to attend the openings of any subsequent performances that year and then give a few tickets away to friends throughout the runs, and let his attachment to the ballet die out slowly enough that no one would be surprised when he failed to renew the arrangement for the subsequent season. He made it through the performance and didn't admit to his siblings how impressed he was with a few of the special effects the show had used. He hoped no one had noticed the few times he'd caught himself watching the lead ballerina too closely during her solos. He finished his drink and rose to head home, but the manager of the damned ballet house headed him off. An ambush. He seemed to have scented out Ozymandias' plan to let his patronage fizzle out with a whimper, and did not intend to let go without at least a bit of a fight. He was quite flattering and obsequent, and Oz soon found himself stuck in a conversation with him that seemed to be going in circles. His siblings, bored by both business conversation regarding ballet and any unearned flattery of their older brother, departed for the lobby. This seemed to be what Seamus Lennon was waiting for, because once the box was clear he pounced with a question: of course Mr. Dempsey would be joining the dancers backstage to congratulate them on their performance, wouldn't he?
Ozymandias wheedled, but Lennon batted away any excuse he tried to give like one would flick away flies. Eventually Oz checked his watch and agreed. When he'd been backstage before, he'd beaten Mrs. Voss there; maybe if he agreed now, he could make an appearance and then slip back out to the lobby to join his family before she even arrived.
The foyer backstage was crowded by the time Lennon showed him in, with dancers both in full costume and half-undressed, wings and whiskers and other accoutrements removed to leave them in skin-tight dancewear and skirts. He wondered whether he would have to talk to them or whether he could get away without it. A brunette with too-large eyes approached him with a wide, plastered smile. She looked nervous. He wondered if the manager had put her up to this or whether it was her own ambition that had driven her towards him, thinking that if she could catch the eye of someone wealthy she might have a better chance at stardom. Oz sighed. She took this as a disappointing sign; Oz could see the way her confidence wavered behind her eyes.
He cast a glance over her costume and tried to come up with something encouraging to say. It wasn't her fault that he would rather be literally anywhere else. Her costume suggested she had been among the chorus of flowers near the end of the performance, so he seized on that. "The choreography for the Waltz of Flowers was exquisite," he said, not having paid enough attention to know whether or not this was true. He only knew the name of the number because he'd spent so much time pretending to read the program. The remark worked as intended, though; her spirits bolstered slightly and she prattled out some anecdote about the choreographer. Oz might have listened, except that was when he saw her — not even across the foyer, but only a paltry dozen feet away already. Sophia Voss.
His patronage extended through the end of the season, so Oz intended to attend the openings of any subsequent performances that year and then give a few tickets away to friends throughout the runs, and let his attachment to the ballet die out slowly enough that no one would be surprised when he failed to renew the arrangement for the subsequent season. He made it through the performance and didn't admit to his siblings how impressed he was with a few of the special effects the show had used. He hoped no one had noticed the few times he'd caught himself watching the lead ballerina too closely during her solos. He finished his drink and rose to head home, but the manager of the damned ballet house headed him off. An ambush. He seemed to have scented out Ozymandias' plan to let his patronage fizzle out with a whimper, and did not intend to let go without at least a bit of a fight. He was quite flattering and obsequent, and Oz soon found himself stuck in a conversation with him that seemed to be going in circles. His siblings, bored by both business conversation regarding ballet and any unearned flattery of their older brother, departed for the lobby. This seemed to be what Seamus Lennon was waiting for, because once the box was clear he pounced with a question: of course Mr. Dempsey would be joining the dancers backstage to congratulate them on their performance, wouldn't he?
Ozymandias wheedled, but Lennon batted away any excuse he tried to give like one would flick away flies. Eventually Oz checked his watch and agreed. When he'd been backstage before, he'd beaten Mrs. Voss there; maybe if he agreed now, he could make an appearance and then slip back out to the lobby to join his family before she even arrived.
The foyer backstage was crowded by the time Lennon showed him in, with dancers both in full costume and half-undressed, wings and whiskers and other accoutrements removed to leave them in skin-tight dancewear and skirts. He wondered whether he would have to talk to them or whether he could get away without it. A brunette with too-large eyes approached him with a wide, plastered smile. She looked nervous. He wondered if the manager had put her up to this or whether it was her own ambition that had driven her towards him, thinking that if she could catch the eye of someone wealthy she might have a better chance at stardom. Oz sighed. She took this as a disappointing sign; Oz could see the way her confidence wavered behind her eyes.
He cast a glance over her costume and tried to come up with something encouraging to say. It wasn't her fault that he would rather be literally anywhere else. Her costume suggested she had been among the chorus of flowers near the end of the performance, so he seized on that. "The choreography for the Waltz of Flowers was exquisite," he said, not having paid enough attention to know whether or not this was true. He only knew the name of the number because he'd spent so much time pretending to read the program. The remark worked as intended, though; her spirits bolstered slightly and she prattled out some anecdote about the choreographer. Oz might have listened, except that was when he saw her — not even across the foyer, but only a paltry dozen feet away already. Sophia Voss.
MJ is the light of my life <3