Early Spring, 1890 — Applegate House, Cotswolds
Ezra didn't really know whether or not dinner had gone well. He'd devoted too much attention to Rosalie to spare much for the rest of his family, and if dinner was going to be turbulent it wouldn't have been Rosie's fault. And to his family's credit, none of them had expressed any of their hesitations to him (he didn't think; sometimes it was hard, in his family, to know what people had really been saying if it different from what one heard), but he could tell there was reticence there. He didn't mind it, either; from an outside perspective, it was perfectly logical not to be too optimistic about the idea of him marrying, much less marrying for love. They wouldn't believe it until he'd gone and proven all of their doubts wrong, and he didn't mind. He was very ready to prove them all wrong.
He was ready to be married for dozens of reasons, really. He had a handful of them squirreled away in his room upstairs right now: gifts that he'd been picking out and custom-ordering for months, with the monogram of her married initials. Etiquette dictated he couldn't give them to her yet — only perishable gifts during an engagement, so as not to tempt fate — but he was brimming with excitement to show her everything he'd gotten for her and see what she thought. His favorite piece of the lot was a locket with a swirling R intertwined with an E and set with a pale opal. He'd glanced at her neck a few times during dinner when she was looking away, imagining how it would look when she wore it. Soon.
As soon as the dinner dishes were cleared away he made an excuse to draw her away from the rest of the group — an excuse that probably everyone at the table could see straight through, but which no one seemed inclined to protest with their wedding date looming so close. He took her hand and led her to the study, where ostensibly they were going to review a letter from the florist he'd received that day.
"I don't actually have a letter from the florist," he admitted when they'd drawn far enough into the room that he was no longer concerned about being overheard — the door was left ajar, for the sake of propriety, but he was not particularly worried about being interrupted so long as they weren't gone too long. "But I do have a pressing question. It's been on my mind since the second you showed up," he paused — ostensibly for dramatic effect, though he may have been too eager to add much drama to it before pressing on. "Can I kiss you?"
He was ready to be married for dozens of reasons, really. He had a handful of them squirreled away in his room upstairs right now: gifts that he'd been picking out and custom-ordering for months, with the monogram of her married initials. Etiquette dictated he couldn't give them to her yet — only perishable gifts during an engagement, so as not to tempt fate — but he was brimming with excitement to show her everything he'd gotten for her and see what she thought. His favorite piece of the lot was a locket with a swirling R intertwined with an E and set with a pale opal. He'd glanced at her neck a few times during dinner when she was looking away, imagining how it would look when she wore it. Soon.
As soon as the dinner dishes were cleared away he made an excuse to draw her away from the rest of the group — an excuse that probably everyone at the table could see straight through, but which no one seemed inclined to protest with their wedding date looming so close. He took her hand and led her to the study, where ostensibly they were going to review a letter from the florist he'd received that day.
"I don't actually have a letter from the florist," he admitted when they'd drawn far enough into the room that he was no longer concerned about being overheard — the door was left ajar, for the sake of propriety, but he was not particularly worried about being interrupted so long as they weren't gone too long. "But I do have a pressing question. It's been on my mind since the second you showed up," he paused — ostensibly for dramatic effect, though he may have been too eager to add much drama to it before pressing on. "Can I kiss you?"