No one knows much about this boy, or where he comes from. His parents are reclusive, and not very present in wizarding society. They spend a lot of time away from home. Rumours have it they’re foreign. Or muggles. Or vampires.*(*they are, and he’s a half-vampire, and also a bastard)
Marius Sinnet | “Father” | Vampire
Rebekah Asgaut | Mother | Vampire
AngieSinnetSwan | Adopted sister
Everett Grimm | Birth father (unknown)
Mrs. Murray | Nanny, de facto guardian
1882 | Connor is born into an unorthodox existence, as a bastard and the product of an affair. But that’s not all – his mother is a vampire. Her husband is also a vampire, and so – fortunately or unfortunately – regardless of the circumstances, they raise him together. It’s not entirely new to them – they adopted a daughter years before Connor. By 1882, their daughter, Angie, already spends most of her time away at Hogwarts.
1883 | Connor is too young to remember it, but this summer Angie packs up her things and leaves home for the last time. After her last year of Hogwarts, she isn’t coming back.
1884 - 1893 | Connor’s memories are this: their home. It is large, and old, and luxurious, crammed with strange things and trinkets and antiques. The library is expansive, and filled with books of different eras and languages. It stands out of the way, surrounded by forests – visitors are few and far between. His parents are sometimes there, and often not; there is a small but discreet staff at the house, well-paid to mind their own business. Mrs. Murray is the nurse who raised him, and although Connor can be stubborn and difficult, she stays on to look after him.
As he grows, Connor sees more of the continent than of Britain, when his parents take him along on their travels – as they move from place to place across Europe, living in (lonely) luxury. His parents seem to have deep-rooted histories everywhere they go; but Connor sees little of this. He is mostly cooped up in a series of different houses, different rooms with a view. He lacks for nothing – all he has to do is ask for something and it will be arranged – except for company his own age. (He doesn’t ever ask for it – because he’s known nothing else; because he doesn’t know how to interact with people his own age; because he’s afraid they will think him strange, and be bewildered by his life – and so it is rarely supplied.)
His mother has (erratic, unpredictable, sometimes extreme) affection for him, but Connor knows something isn’t right. Maybe it is the empty space left by his so-called sister, that they are haunted by their other failure at raising a child; maybe it is that Marius is not his father, and cannot bring himself to love Connor the same way. Maybe vampires, centuries old and flighty, and more obsessed with blood and one another than anything else, just aren’t much suited to raising children.
1894 | It is a shock to Connor when he receives his Hogwarts letter. Not because he didn’t know that he was magical – his mother once told him his father was a wizard – but because it all feels very distant and far away, some fairytale story. His sister went there, and never came back. He has imagined his life will continue the same way forever – trailing along after his parents, left in foreign rooms in foreign cities, with little to do and less to care about. His parents debate the Hogwarts letter, he thinks – he hears them discuss whether it is wise to send him again, or whether it is safer to keep him with them – but in the end, Connor says he wants to go. Wise or not, then, it doesn’t matter: they let him.
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