Despite rumours that Morrigan Crowley hails from the Orkney Islands or the Scottish Highlands, her family are in fact nouveau-riche business owners rooted in Hampshire, where they own an empire of distilleries and breweries.
Father: Edward Crowley (*1829)
Mother: Emily Crowley née Bishop (*1842)
Brother: Edward Alexander Crowley (*1875)
Morrigan is tall with harsh, androgynous features. She is ethereal, but not in the sense of a fairy. The mythical creature her looks invoke is more akin to a harpy.
Her limbs are long, the contour of her bones is sharp, her nose is reminiscent of a beak. She appears almost devoid of color, with her thin hair being a nondescript blond that blends into her skin tone.
The face is extraordinarily striking, with cheekbones that threaten to cut, almost absent eyelashes and thin brows. The only contrast is the dark blue of her eyes.
Style of dress:
Highly eccentric. Morrigan can often be seen in bizarre robes and hats, combined with very high shoes that make her seem impossibly tall.
When it strikes her fancy, she wears men's attire, in which she is often mistaken for a gentleman due to her stature and masculine features. She would not bother to correct that assumption.
Height: A good 5'10"
Hair color: Ash blonde fading to white under sun exposure
Eye color: Dark blue
Stature: Bony, lean
Play by: Maggie Maurer

Ages 0–11 — The squib
Morrigan grows up in the mansion of her obscenely wealthy family in Hampshire and is a strange child from the start. She walks early and talks late and is thought mute for a long time. As it turns out she can hear the instructions of her governess, she just decides not to listen.
Her early childhood is somewhat uneventful. She likes to run away and pretends to live as a feral cat in the "forest" (her parents' apple orchard). But the massive gardens and high walls of her home allow her to indulge in such childish whims without putting herself in harm's way.
The girl does not show a lick of magic until she is ten and is thought of as a squib, even though she swears up and down that she is capable of great feats of magic, only she achieves them while sleeping, in her dreams. It is explained to her that dreams do not count if she wants to go to Hogwarts.
A few weeks before her 11th birthday she wakes up with two additional pairs of arms and one additional set of eyes on her forehead. She is quite satisfied with her new form, but her parents are horrified. In the waiting room at St. Mungo's, an owl with her Hogwarts Letter of Admission arrives.
The healers can undo the arms quickly, but it takes them weeks to dispel the magic that caused the eyes. Morrigan does attend the sorting ceremony with a bandage over her forehead, is sorted into Ravenclaw and has to sleep in the hospital wing for the first few weeks of her first term.
Ages 11–17 — Morg the hag
In Hogwarts, her magic abilities remain very inconsistent. She is capable of great effusions of magical power when she is emotionally riled up or really absorbed into the process, but struggles with fairly simple charms; It is like her system suffers from some sort of disturbance. Over the years she slowly manages to get into a routine, but most of her spellwork remains subpar.Ages 18–30 — Wayward woman
At 18, Morrigan declares herself as "Britain's youngest spinster" to her family and tells them that she will travel the world and research ancient traditions of magic instead of coming out to society. And then, for twelve years, she does just that.
Her adventures are numerous and it would take up too much space to get into them. She travels from Egypt, to the Aztec ruins, to Russia, the Balkans, to Asia. She goes wide and far and learns a lot of things and forges many academic connections.
Ages 30–33 — Studies in Britain
When she returns to Britain, she continues her research and it soon points her to the most important stronghold of ancient magic that exists there today: Hogwarts.
So, she decides to return. Admittedly, educating children is not something she has much experience in, but she will learn on the job, somehow. Most importantly, she will have access to the castle.
Her former Ancient Studies teacher writes her a strong letter of recommendation and she has ample relevant life experiences, not the least of them her peculiar abilities.
She is admitted for 1894 to start teaching.
The clarion — Morrigan disrupts her environment by doing or saying things that are so out of left field (but nonetheless have a kernel of truth) that they shake others out of their sense of complacency. If there is an issue everyone is too polite to tell you about, she will.
The phoenix — Morrigan needs to burn herself to the ground to grow in her magical power and as a person. Whatever she is passionate about, she needs to overdo it, she needs to crash and then to collect herself to start anew. She is cyclical in nature.
A design of commitment to higher principles — because Morrigan has committed herself to live out what is her most authentic behavior and role, she is highly expressive and confident even if the reception is negative. She does truly love herself.
A design of insight — By collecting experiences and knowledge, Morrigan is able to achieve deep understanding and sudden insights, that seem to come to her in a moment's notice and are most often correct. She struggles with communicating them in a way that is believable to others.
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